Monday, 29 October 2007


Just made it in time! Two new pieces that will hopefully be the next HOROWITZ HORROR covers - collections 1&2.

I will be cutting pumpkin lanterns tonight and tomorrow, with the help of my daughter, Tiger, who has put in a request for some Hallowe'en muffins; chocolate chip for her, pumpkin, pineapple and nut for the grown-ups. There'll also be some hot food on offer-- fine pork and leak sausages, corn-on-the-cob, bubble & squeak (with grated onion and sweet potatoes) and mature cheddar with freshly baked bread... all washed down with goblets of warm bats blood! I can't wait. Happy Hallowe'en!!

Monday, 24 September 2007


I'm a fan of Anthony Horowitz's work, so was very happy when these covers came my way. The brief was to re-jacket Orchard's earlier Horowitz titles and to come up with a new author look for the series.

The books contain short horror stories, aimed at a young audience. With this in mind I wanted something graphic, dark and with a sense of evil fun-- my first roughs included a dead body lying in a bath full of blood!

Tracey worked on these titles closely with me (basically to stop me going too far over the top-- reigning me in and refining the designs, whilst adding her fantastic typework. We have two versions of The Night Bus -- as I write this we still don't know which will be the one they use.

She also asked me to design a 'Horowitz Horror' branding. The idea behind this was to incorporate ancient magic symbols in a device that can be used throughout the series and on any new titles in the range.

There are two more books to come - both collections - one of which may feature this Hallowe'en pumpkin lantern. I hope it gets used somewhere, as no horror series should be without a pumpkin.

Can't wait to see these titles stacked on the table at my local Waterstones in Bury St.Edmunds. Sorry it's been so long since the last update-- the seemingly never-ending school holidays have finally come to a close!
Hallowe'en next. BRU-HA-HA! (evil laugh).

Tuesday, 24 July 2007


When I was young there were always playground discussions amongst the kids who read Marvel Comics, as to which character was strongest, which would be the greatest battle, who'd beat who in a fight-- and the most eagerly awaited of these match-ups was always going to be The Thing vs.The Hulk.

I loved the wise-cracking Thing but always considered the Hulk would win a flat out fist-fight, due to his uncontrollable rage, which seemed to increase his strength in proportion to his anger. The same feeling as returning to your car after shopping at Sainsbury's, only to find that some hammerhead has dented your car and then driven off. The anger increases in proportion to the size of the dents and scratches.

And whilst we're talking F.F.... Reed Richards aka Mr.Fantastic. Hmm... 'Mr.Fantastic'? To start with, stretching wasn't way up there on the 'super-powers you'd want' list. Maybe it's just me and I'm confident that nothing needs to be any bigger (HA!) but turning into a rubber band...?! Of course, being a scientist he usually had some kind of gadget or dohicky with him-- the one I've give him helps track down the Hulk, as it's difficult to spot an 8ft tall, rampaging green-skinned monster. In some neighbourhoods he'd just blend right in.

Anyway, all's back to normal after the girly art in my last post. Phew! Horror covers coming soon.

Friday, 6 July 2007


ot my usual stuff-- no guns, explosions, superheroes, martial arts, monsters or mayhem... I don't know what happened?! This is proposed art for a book jacket that myself and Mrs Paris have been working on earlier this week. The book is teen fiction and set in Paris (or Paris, France as our American cousins say)-- good fun to do, even though there's no real action. Don't worry... normal service will be resumed after this posting.

Sunday, 24 June 2007


This was something I did recently for 20th Century Fox, to help advertise the upcoming SIMPSONS MOVIE. They wanted their famous 20th Century logo drawn in the Simpsons style. I added Homer's donut-holding hand in the foreground, as I thought it a nice touch, with it also helping to tie the whole thing in with the movie poster art. Doh!

Tuesday, 12 June 2007


These beasties feature on the jackets of a new series for Puffin. The covers haven't been finalized yet, so I can't show you the finished articles -- but I thought these nice enough to put on the blog now. From the number of hits the dragon gets, I'd say there's gonna be a lot of people walking around wearing him as a tattoo (Hi to all at Pompano Beach, Florida!).
I'm also going to be starting a companion blog, which will feature ideas, drawings and all the work that happens before the public get to see anything in print. It should be fun-- and it'll give me somewhere to use all the hundreds of preliminary sketches! Keep watching this space.
NATIONAL SCHOOL POETRY AWARDS 2007 - NEW ZEALAND POST. Pencil artwork. Colour and design by Chris Waind. This is my most recent colaboration with my good friend, Chris, who is an Art Director at Communication Arts in NZ. We will hopefully be working together this year on a series of children's books. Watch this space. There was no problem with reference - hands and pencils! - and this poster is an excellent example of working long distance. Chris is 12 hours in my future (and half a planet away), so he briefed me on Sunday night, I finished the linework on Monday, delivering the artwork by FTP. Final art approved and to press on Wednesday (NZ time). Of course because of the time difference it means that Chris has already seen the artwork that I haven't started yet!-- and when they tell me they 'want the artwork by yesterday', that's exactly when I'm doing it. Amazing. Now, if I can just get Chris to phone me with the lottery numbers...
HELLBENT. Artwork and co-design. Scroat the Dog makes it on to the cover of Antony McGowan’s comic novel for Doubleday.
THE AMAZING SPIDER-MAN. Sample comic book cover – artwork and hand lettering. Drawing SPIDER-MAN isn’t work for me – it’s a pleasure. I first started reading Marvel Comics in 1968, aged 6. I was totally hooked from the moment I was handed a second hand copy of The Amazing Spider-man No.12 (“Unmasked by Dr. Octopus”). I think I must have spent the next decade constantly drawing Superheroes, so when I left school, aged 16, I pitched up on the doorstep of MARVEL COMICS UK, drawings in hand, looking for a job. The editor at the time, Paul Neary, took pity on me, so my career in illustration was underway. To be honest, the other job option at the time was being in charge of ‘light brown paint’ on the animation of Watership Down. Not a difficult choice for a teenager. 28 years later and I still get a kick out of drawing our friendly neighbourhood web-slinger.
MISSING ABBEY. Artwork and hand lettering. The first of a teen fiction series for Corgi, including Child X, Breakfast at Sadie’s and Kat Got Your Tongue. Co-designed with Tracey Paris. David Fickling Books/Corgi.
APPLESEED. Character study of Briareos, Hitomi and Deunan. Some of the first Manga to really make an impact over here, along with Akira.
BANG BANG. Artwork and script. Bang Bang was one of the characters I worked on for Penthouse Comix in the mid 90’s. I had completed the script for The Su-Zi-Manchu Affair and had started in on the artwork when news came of the magazine’s demise. Still, the pages remain and are some of my favourites.
COUNT KARLSTEIN. Art and Design. A fresh look for Phillip Pullman’s back catalogue. Transworld.
AGENT Z. Art and Design. Before he became famous for The Curious Incident of the Dog in the Night-Time, Mark Haddon wrote these very funny books.
THE QUIGLEYS. Proposed character designs for the re-jacketing of a series of books for Random.
CHRIS WAIND. Script and Art. Chris worked at Definition Design and is now living in New Zealand with his wife, Jen. He really is one of life's 'individuals'... and an incredibly talented man too, which is lucky. Had he not turned out to be such a good designer he would have almost certainly gone straight to prison. The strip showed just how unglamorous a designer's life is and Chris was a perfect example, being that he was without any sort of glamour. His days consisted mainly of work and wandering about at lunchtimes, eating sandwiches from Boots the Chemist, whilst letting his mind drift free, usually to think about which sandwich he was going to get from Boots the Chemist. I purchased the rights to his life in exchange for a Whopper meal at London Bridge Station, which doesn't sound quite fair, until I point out that he did order the large fries.
HARRY POTTER. Pencil sketches for the marketing of the game Harry Potter and the Chamber of Secrets. The work was done for Feref, who's art director, Neill Furmston, is, I've heard it said, quite possibly the best art director in the world.
HARRY POTTER. Sketches/packaging designs for Quidditch World Cup, again for Feref. Neill was best man at my wedding... Well done, mate!
SHOCK CITY. Script and Art. This was a comic strip produced for T.W.O. magazine, a motorcycle mag. Girls and Bikes, pretty much what you’d expect. John Cantlie was a great editor to work with and I’ve never met a bloke more born to be on TV than John. Which is what he’s doing now!
HOW ANGEL PETERSON GOT HIS NAME. Art and co-design. Gary Paulsen is one of my favourite writers, so it was a treat to work on this book. I can’t recommend Gary Paulsen highly enough, especially; Zero to Sixty: the Motorcycle Journey of a Lifetime, Brian’s Winter and Angel Peterson.
CLEMENCY POGUE, FAIRY KILLER. Character designs and proposed book jacket for Simon & Schuster. The hobgoblin above goes by the name of CHAPHESMEESO.
PHANTOM FEAR. Art and design. A clean, graphic approach to the re-jacketing of Pete Johnson's books.
TALISMAN. Design, Art and Lettering. A series of adventure books, with a kind of 'Indiana Jones' theme. Each book is set in a different location; Eygpt, South America, India and China. Hodder.
WHITE TRASH CHRIS. Mr Waind during his 'good 'ol boy' phase. Squeal like a piggy!
BATMAN... and Robin the Boy Wonder. I loved the Bruce Timm animations. Batman didn't make much of an impression on me until Neal Adams' work in the 70's and then again in the 8o's with Frank Miller's Dark Knight. In general I think there are more of us that can relate to Spider-Man's alter-ego, Peter Parker (struggling student who has to take part-time jobs to pay his way) than Bruce Wayne - a billionaire industrialist playboy. Still, at least he had enough money to do a really good job on the batcave -- and he can afford to have Alfred the butler on hand, in case he needs an espresso (a man Bruce's age has gotta be using a lot of caffeine to stay up night after night with the crime-fighting).
THE HOUSE OF DOCTOR DEE. An illustration for the BBC R4 afternoon play of the same name. Radio Times Magazine.
AN AMERICAN WEREWOLF IN LONDON. Another illo for the radio pages of Radio Times Magazine.